/page/2

Reminisce over a lo-fi, aimless one from the Scottish girl duo of Honeyblood with “No Spare Key,” released last April. Fat Cat Records are a big fan of ‘em, they’ve opened for post-punk act PEACE and they just played Brighton’s Great Escape Festival. Not sure what’s on the docket for these guys, but I do know that the US would welcome them well. 

Reminisce over a lo-fi, aimless one from the Scottish girl duo of Honeyblood with “No Spare Key,” released last April. Fat Cat Records are a big fan of ‘em, they’ve opened for post-punk act PEACE and they just played Brighton’s Great Escape Festival. Not sure what’s on the docket for these guys, but I do know that the US would welcome them well. 

Dan Croll –  From Nowhere

Need a Tuesday afternoon pick-me-up? This chill, Grizzly Bear-evoking track will do just the trick. Dan Croll, a 22-year old from Liverpool, England with a songwriting award already under his belt, already has gotten Radio 1 play in England and a fair amount of press. He’ll be at SXSW next month, so take a listen to his single “From Nowhere” in the meantime.  

Download

Treehorn – The History of Film

Heartfelt folk rock from Boston. It’s nice to hear the twang of a DIY recording sometime. Songs like this remind you how to, say, look at trees coasting by while riding on a bus on a crisp winter day. And there’s some ol’ school Bright Eyes mixed in. Yup, “A Tune Every [or some] Day[s]” is back. 

To see what else I’ve been up to lately, check out my professional blog here

Download

Enrapture yourself in “Romantic Gaze,” a thin, airy jam for a late night rave or the chill soundtrack to an otherwise blah sort of day. It strays away from popular, catchy synthpop of the late — but it keeps the form of a pop/rock song. It’s definitely an interesting combo, if nothing else. Good Pop Bad Pop says, “it rattles and hums with hip-hop influenced drums, huge trance-like synth rises, and a pop similar vocal that is warped and toyed with throughout“ 

The tunes from Tokyo are a product of Taquwami, who began producing solo in the summer of 2011. Since then, he’s been picked up by newly formed label Void Youth, and his in-your-face goodness sure has been fillin’ my ears a ton lately with his EP “Blurrywonder.” 

(Source: SoundCloud / icalp)

Desert Sharks – Get to You

It’s big and dirty and tough and overcrowded and full of life and passionate people.” —  Stephanie Gunther on the Lower East Side of Manhattan. 

This four-piece from the Lower East Side and Brooklyn has the vibe of ’60s grunge grrrl rock acts. After meeting on Craigslist just over a year ago, Desert Sharks have thrived on the competitive, yet supportive NYC music scene. 

The all-girl band, a rarity these days, mixes punk ‘n a spunky Debbie Harry-esque feel on “Get to You.” They play a favorite DIY space of mine in Brooklyn, Shea Stadium on Sunday night, opening for Eula and Boston rawkers Grass is Green. Oh, and the band consists of just three guitarists and a bass guitarist, so you’ll be in for it. 

(Source: theneighborhood.tv)

Download

Velah – Skeleton House

Here’s another rising act from Boston, Velah, who formed late last year. Coming in wake of other Boston bands Static of the Gods and The Acre, Jen Johnson and Nick Murphy lead the four-piece say that they ‘create atmospheric sonic landscapes.’ 

Bouncing between with a brooding, post-punk vibe and ethereal crescendos akin to something out of Radiohead or Coldplay’s book, their latest single “Skeleton House” has dark charm. Both unassuming and expansive, it might just leave questions unanswered. 

They’ve been getting some great local press and were recently on Paste Magazine and are often playing the local Boston scene, so check ‘em out. 

(Source: pastemagazine.com)

Download

“There’s something about growing up in a place that’s so much bigger than any one person that gives you an appreciation for the grand scope of existence.” 


Those are the deep words of Animal Eyes, a five piece based in Portland, OR — by way of a small town in Alaska where the five piece grew up. 

Beginning with the reverb-y, shoegaze sound of the 2010s, this one changes the pace to throw some dynamics and originality into play. “Goat Chasing” definitely isn’t for a short attention span, as this expansive sonically replicates their Alaskan surroundings. 

Indie folk of another flavor shines at the end, where a delayed crescendo puts in horns and strings at the forefront. 

Beginning with an innocuous stream of “la la las,” this one calls to mind throwback ’60s pop. The singer/songwriter from Calgary, Sarah Savage Smith got local cred in the Calgary indie scene leading to linking up with producer Lorrie Matheson.

Her April 2011 effort, “Tough Cookie” came as a result, including this gem, “The Score.” She pushes her voice in different directions, leading to apt Regina Spektor comparisons. 

The Wounded Jukebox puts it best: “the sound of the woman so boldly named is both parts sly and another part brass-knuckled.” 

There’s definitely something about an unadulterated, basement-friendly punk anthem as simple as “I want you in my bed / Don’t want you in my head.” 

One of the highlights of the Allston DIY Fest 2012 comp, the garage punk duo Streight Angular are another highlight of the Boston punk rock scene. DigBoston calls them Neon-soaked punk, but call ‘em what you want, “In My Bed, Not My Head” is some fast-and-hard Ramones-style rock. 

Streight Angular are the married duo of Al and Theresa Polk, who are heavily influenced by K Records’ founder Calvin Johnson. Their most recent release, “Everything is Syncopated” was co-released in January on Polk Records and local collective Whitehaus Family Record

This San Diego band was inspired by the “concept of feeling completely inspired to take hold of life and be the best person who you can be the next day before going to bed.” 

Inspired and the Sleep, as the trio founded by Max Greenhalgh is called, has an indie psych vibe akin to Yeasayer, Animal Collective or maybe The Unicorns (remember them?!) For an insomniac it’s either surprising or very unsurprising that Greenhalgh’s favorite place is his bed. 

Indie Shuffle calls “And As These Days Go By,” ‘a corky and innovative track that’ll keep you wanting more.. begins with tribal-esque bass and drums.’ Check it and find out for yourself. 

Hazy, shimmery Field Mouse offered a contemplative glance at ’80s shoegaze opening for Conveyor’s show at Glasslands on Wednesday

The quartet is led by Greenpoint, Brooklyn-based Rachel Browne which is rooted in acts like My Bloody Valentine and The Pixies, offers a back-to-basics rock vibe. Stereogum says they “shimmer,” they’ve got an enigmatic band name… and they’re on Small Plates, a vinyl-only label founded by the guys from music blogs I Guess I’m Floating and yvynyl.  

(Source: iguessimfloating.com / icalp)

Here’s a surf pop lick from the SoCal duo of Alex Knost and his girlfriend, Christina Keyes. Tomorrows Tulips’ debut album, which came out with some positive hype last summer, is entitled “Eternally Summer.” I’m sure that you can sympathize in your late August blues. 

Knost, who used to front indie rock act The Japanese Motors which have opened for Modest Mouse, leads this garage rock throwback. It has a “post-Velvet Underground/Modern Lovers kind of vibe,” according to KEXP.  

Listen to “Eternally Teenage” (another hope of all of ours) to calm your midweek, and bring some waves of ’60s nostalgia. 


Reminisce over a lo-fi, aimless one from the Scottish girl duo of Honeyblood with “No Spare Key,” released last April. Fat Cat Records are a big fan of ‘em, they’ve opened for post-punk act PEACE and they just played Brighton’s Great Escape Festival. Not sure what’s on the docket for these guys, but I do know that the US would welcome them well. 

Reminisce over a lo-fi, aimless one from the Scottish girl duo of Honeyblood with “No Spare Key,” released last April. Fat Cat Records are a big fan of ‘em, they’ve opened for post-punk act PEACE and they just played Brighton’s Great Escape Festival. Not sure what’s on the docket for these guys, but I do know that the US would welcome them well. 

Enrapture yourself in “Romantic Gaze,” a thin, airy jam for a late night rave or the chill soundtrack to an otherwise blah sort of day. It strays away from popular, catchy synthpop of the late — but it keeps the form of a pop/rock song. It’s definitely an interesting combo, if nothing else. Good Pop Bad Pop says, “it rattles and hums with hip-hop influenced drums, huge trance-like synth rises, and a pop similar vocal that is warped and toyed with throughout“ 

The tunes from Tokyo are a product of Taquwami, who began producing solo in the summer of 2011. Since then, he’s been picked up by newly formed label Void Youth, and his in-your-face goodness sure has been fillin’ my ears a ton lately with his EP “Blurrywonder.” 

(Source: SoundCloud / icalp)

“There’s something about growing up in a place that’s so much bigger than any one person that gives you an appreciation for the grand scope of existence.” 


Those are the deep words of Animal Eyes, a five piece based in Portland, OR — by way of a small town in Alaska where the five piece grew up. 

Beginning with the reverb-y, shoegaze sound of the 2010s, this one changes the pace to throw some dynamics and originality into play. “Goat Chasing” definitely isn’t for a short attention span, as this expansive sonically replicates their Alaskan surroundings. 

Indie folk of another flavor shines at the end, where a delayed crescendo puts in horns and strings at the forefront. 

Beginning with an innocuous stream of “la la las,” this one calls to mind throwback ’60s pop. The singer/songwriter from Calgary, Sarah Savage Smith got local cred in the Calgary indie scene leading to linking up with producer Lorrie Matheson.

Her April 2011 effort, “Tough Cookie” came as a result, including this gem, “The Score.” She pushes her voice in different directions, leading to apt Regina Spektor comparisons. 

The Wounded Jukebox puts it best: “the sound of the woman so boldly named is both parts sly and another part brass-knuckled.” 

There’s definitely something about an unadulterated, basement-friendly punk anthem as simple as “I want you in my bed / Don’t want you in my head.” 

One of the highlights of the Allston DIY Fest 2012 comp, the garage punk duo Streight Angular are another highlight of the Boston punk rock scene. DigBoston calls them Neon-soaked punk, but call ‘em what you want, “In My Bed, Not My Head” is some fast-and-hard Ramones-style rock. 

Streight Angular are the married duo of Al and Theresa Polk, who are heavily influenced by K Records’ founder Calvin Johnson. Their most recent release, “Everything is Syncopated” was co-released in January on Polk Records and local collective Whitehaus Family Record

This San Diego band was inspired by the “concept of feeling completely inspired to take hold of life and be the best person who you can be the next day before going to bed.” 

Inspired and the Sleep, as the trio founded by Max Greenhalgh is called, has an indie psych vibe akin to Yeasayer, Animal Collective or maybe The Unicorns (remember them?!) For an insomniac it’s either surprising or very unsurprising that Greenhalgh’s favorite place is his bed. 

Indie Shuffle calls “And As These Days Go By,” ‘a corky and innovative track that’ll keep you wanting more.. begins with tribal-esque bass and drums.’ Check it and find out for yourself. 

Hazy, shimmery Field Mouse offered a contemplative glance at ’80s shoegaze opening for Conveyor’s show at Glasslands on Wednesday

The quartet is led by Greenpoint, Brooklyn-based Rachel Browne which is rooted in acts like My Bloody Valentine and The Pixies, offers a back-to-basics rock vibe. Stereogum says they “shimmer,” they’ve got an enigmatic band name… and they’re on Small Plates, a vinyl-only label founded by the guys from music blogs I Guess I’m Floating and yvynyl.  

(Source: iguessimfloating.com / icalp)

Here’s a surf pop lick from the SoCal duo of Alex Knost and his girlfriend, Christina Keyes. Tomorrows Tulips’ debut album, which came out with some positive hype last summer, is entitled “Eternally Summer.” I’m sure that you can sympathize in your late August blues. 

Knost, who used to front indie rock act The Japanese Motors which have opened for Modest Mouse, leads this garage rock throwback. It has a “post-Velvet Underground/Modern Lovers kind of vibe,” according to KEXP.  

Listen to “Eternally Teenage” (another hope of all of ours) to calm your midweek, and bring some waves of ’60s nostalgia. 

Dan Croll –  From Nowhere

Need a Tuesday afternoon pick-me-up? This chill, Grizzly Bear-evoking track will do just the trick. Dan Croll, a 22-year old from Liverpool, England with a songwriting award already under his belt, already has gotten Radio 1 play in England and a fair amount of press. He’ll be at SXSW next month, so take a listen to his single “From Nowhere” in the meantime.  

Treehorn – The History of Film

Heartfelt folk rock from Boston. It’s nice to hear the twang of a DIY recording sometime. Songs like this remind you how to, say, look at trees coasting by while riding on a bus on a crisp winter day. And there’s some ol’ school Bright Eyes mixed in. Yup, “A Tune Every [or some] Day[s]” is back. 

To see what else I’ve been up to lately, check out my professional blog here

Desert Sharks – Get to You

It’s big and dirty and tough and overcrowded and full of life and passionate people.” —  Stephanie Gunther on the Lower East Side of Manhattan. 

This four-piece from the Lower East Side and Brooklyn has the vibe of ’60s grunge grrrl rock acts. After meeting on Craigslist just over a year ago, Desert Sharks have thrived on the competitive, yet supportive NYC music scene. 

The all-girl band, a rarity these days, mixes punk ‘n a spunky Debbie Harry-esque feel on “Get to You.” They play a favorite DIY space of mine in Brooklyn, Shea Stadium on Sunday night, opening for Eula and Boston rawkers Grass is Green. Oh, and the band consists of just three guitarists and a bass guitarist, so you’ll be in for it. 

(Source: theneighborhood.tv)

Velah – Skeleton House

Here’s another rising act from Boston, Velah, who formed late last year. Coming in wake of other Boston bands Static of the Gods and The Acre, Jen Johnson and Nick Murphy lead the four-piece say that they ‘create atmospheric sonic landscapes.’ 

Bouncing between with a brooding, post-punk vibe and ethereal crescendos akin to something out of Radiohead or Coldplay’s book, their latest single “Skeleton House” has dark charm. Both unassuming and expansive, it might just leave questions unanswered. 

They’ve been getting some great local press and were recently on Paste Magazine and are often playing the local Boston scene, so check ‘em out. 

(Source: pastemagazine.com)

About:

A tune each day by Boston-based freelance music and arts journalist Chris Leo Palermino. Hit me up if you're going to a show, I'm always looking for show buddies. Disclaimer: The content provided on this site is for promotional purposes only. If any artist or label does not want their material on this site, please email me at cleopale@gmail.com.

Following: